Evaluations

Write to be Heard: Supporting Offender Learning through Creative Writing

The report explores the impact of a creative writing programme developed to engage ‘hard to reach’ learners in prison.   The mechanism was a creative writing competition, incorporating a schedule of workshops in 28 prisons, encouraging entrants to write pieces for broadcast on National Prison Radio (NPR).  Using qualitative and quantitative ... read on →

Authors Jane Hurry, Patrice Lawrence, Jessica Plant, Anita Wilson (Arts Alliance)

Published March 2014

Artform Creative Writing

Organisation Arts Alliance   Project venue Prisons around the UK

Participant type Male and Female Adult Offenders

Re-imagining futures: Exploring arts interventions and the process of desistance

Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →

Authors Charlotte Bilby, Laura Caulfield, Louise Ridley

Published November 2013

Artforms Craft, Creative Writing, Music, Visual Arts

Organisation Arts Alliance

Participant type Male and Female Adult Offenders

Sample size: 30

Miss Spent in Custody

An independent evaluation of a pilot for a new skills development course for young women in custody delivered by Clean Break in April 2010. The evaluation report identified that the project convincingly demonstrated the value of drama exercises, creative education and the use of role play in teaching personal skills, ... read on →

Author Karin van Maanen

Published 2010

Artform Drama

Organisation Clean Break   Project venue Downview

Participant type Female Young Offenders

Sample size: 9

Breaking Down Walls - The Good Vibrations Project in Prison

This study looked at the educational benefits of taking part in Good Vibrations, setting its work in the context of prison education in the UK. It also assessed the value-for-money of Good Vibrations courses.The evaluation was specifically commissioned to build upon two earlier evaluations undertaken by Good Vibrations themselves (see ... read on →

Authors David Wilson, Matt Logan (Birmingham City University)

Published 2006

Artform Music

Organisation Good Vibrations   Project venues Brixton , Peterborough

Participant type Male and Female Adult Offenders

Sample size: 42

Fair!: An evaluation of a Music in Prisons and National Youth Theatre collaboration at HMPYOI Bullwood Hall

Fair is an evaluation of a collaborative project between Music in Prisons and the National Youth Theatre. The project involved the creation of an original piece of music theatre devised and performed by 19 women. This report summarises the immediate effects of the project and the results of evaluation and ... read on →

Author Georgie Goddard

Published

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venue Bullwood Hall

Time Well Spent

Time Well Spent shares some of the key lessons learned from Music in Prisons’ programmes of music projects over six years, focusing on the stages of project delivery and the impact on participants, staff and musicians.It follows the journey of all projects from the excitement of the initial idea or ... read on →

Author Angus McLewin (Angus McLewin Associates)

Published 2005

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Askham Grange, Bullingdon, Bullwood Hall, Frankland, Holloway

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