Evaluations
Unlocking Value: the economic benefit of the arts in criminal justice
In late 2010, the Arts Alliance commissioned National Philanthropy Capital (NPC) to explore whether the value of the arts in criminal justice could be expressed through economic analysis. To do this, they selected three arts charities as case studies and undertook economic analyses of their interventions. This report quantifies the ... read on →
Young People not in Education, Employment or Training (NEET) and Music Making
An evidence review of published, international, peer-reviewed and ‘grey’ literature that explores the effects of music making on NEET young people or those ‘at risk’ of becoming NEET, including a specfic review of 34 Youth Music funded projects that delivered music-related activity to NEET young people or those ‘at risk’ ... read on →
Challenging Offending Behaviour with a Creative Twist
A review of arts-based practice within Leicester City Youth Offending Service (YOS) engaging young people at risk of offending - including YP on RAP and ISSP programmes. Descriptions of visual, drama, media and music interventiions including case study projects from organisations such as Soft Touch as well as the national ... read on →
Beats & Bars - Music in Prisons: An Evaluation
The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of ... read on →
Dance Included: towards good practice in dance and social inclusion
Intended as a practical tool for organisations and individuals working in dance and social inclusion, covering: planning, partnerships, recruitment and retention of participants, professional development, project activity, evaluation, outcomes and, legacy. It also included a brief evaluation of case studies from the series of ACE funded dance organisations working in ... read on →
