Evaluations

An evaluation of The Irene Taylor Trust’s Sounding Out programme 2016-2018

Sounding Out is a music traineeship which provides former prisoners with longer-term opportunities upon their release, to bridge the gap between inside and outside prison. The evaluation takes a qualitative approach to explore the views and experiences of participants, staff and family members to understand if and how Sounding Out ... read on →

Authors Laura Caulfield, Andrew Jolly, Rachel Massie (Institute for Community Research & Development, University of Wolverhampton)

Published March 2019

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)

Participant type Male Adult Ex offenders

Sample size: 10

Research report: HMP/YOI Winchester Applied Theatre pilot 2018

This report was produced by researchers at University of Winchester (Applied Criminology). It details the findings of an evaluation of a pilot project which was designed and delivered by BearFace Theatre CIC and funded by Hampshire Cultural Trust which was aimed at using a new Applied Theatre intervention to impact ... read on →

Authors Adrian Barton, Alexandra Russell (University of Winchester)

Published September 2018

Artform Theatre

Organisations BearFace Theatre CIC, Hampshire Cultural Trust, HMP/YPI Winchester, University of Winchester   Project venue HMP/YPI Winchester

Participant type Male 21-24 Offenders

Sample size: 10

Applied Performance Arts Interventions within Justice Services: Moving 'Forward' Toward an Integrated Sustainable Evaluative Approach

This report evaluates the impact of a resettlement programme using forum theatre and therapeutic creative delivery in prisons, adult resettlement centres and secure units.  It focuses on the impact good partnership has on effective projects as well as the need for long-term sustained work in prisons to ensure the highest ... read on →

Authors Richard McHugh, Hannah Smithson (Manchester Metropolitan University)

Published January 2018

Artform Theatre

Organisation Odd Arts   Project venues Barton Moss Secure Unit, HMP Manchester, Langley House Trust resettlement centres

Participant type Male Ex offenders

Sample size: 50

Creative Leadership and Forum Theatre: An evaluation report for Odd Arts

The report evaluates one of Odd Art’s creative programme that uses applied and forum theatre to increase leadership and skills. The following key outcomes of the Odd Arts Creative Leadership programme all demonstrate factors related to confidence, self-awareness and self-presentation, and, therefore, skills and capacities required to show creative leadership ... read on →

Authors Lynn Froggett, Laura Kelly, Julian Manley (University of Central Lancashire)

Published January 2018

Artform Theatre

Organisation Odd Arts   Project venues Care 4 Children, HMP Wymott, Langley House Trust

Participant type Male Juvenile Offenders

Sample size: 89

Re-imagining futures: Exploring arts interventions and the process of desistance

Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →

Authors Charlotte Bilby, Laura Caulfield, Louise Ridley

Published November 2013

Artforms Craft, Creative Writing, Music, Visual Arts

Organisation Arts Alliance

Participant type Male and Female Adult Offenders

Sample size: 30

Impact of theatre-based projects in a Medium Secure Hospital environment

This is an evaluation of a three year project which took place in St Andrews Medium Secure Hospital in Birmingham.  The study will provide a comparison of the impact on the different wards and will include an exploration of the impact on the patients, the staff and the general atmosphere ... read on →

Published 2013

Artform Drama

Organisation Geese Theatre

The experience of ‘Journey Woman’ from the perspective of the participants

Using theoretical frameworks such as CBT, role theory, social learning theory and narrative therapy, Forensic Psychologist Rebecca Day explores women offenders’ experience of  Geese Theatre Company’s one week project ‘Journey Woman’, which was delivered four times at HMP Foston during 2007/08.  read on →

Author Rebecca Day (Geese Theatre)

Published January 2013

Artform Drama

Organisation Foston   Project venue Foston

Participant type Female Adult Offenders

Sample size: 34

Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley

Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →

Author Jo Cursley (University of Exeter)

Published 2012

Artforms Dance, Drama, Music, Visual Arts

Participant type Male and Female Adult Offenders

The ‘Family Man’ Impact Study

An Evaluation of the Longer-Term Effectiveness of Safe Ground’s Revised Family Relationships Programme on Prisoner Graduates, their Supporters and Families, this independent study assessed the longer-term impact of the Family Man programme delivered in HMPs Belmarsh, Birmingham, Bristol, Highpoint, Leeds, Parc (Wales) and Wandsworth from 2008-10. It concluded that the ... read on →

Authors Gwyneth Boswell, Annie Moseley, Fiona Poland (School of Allied Health Professions, University of East Anglia , University of East Anglia )

Published October 2011

Artform Drama

Organisation Safe Ground   Project venues Belmarsh, Birmingham, Bristol, Highpoint, Leeds, Parc, Wandsworth

Participant type Male Adult Offenders

Sample size: 54

In Transit: unpicking the narrative of a participatory arts project

This report uses qualitative evaluation to define other key factors influencing participation in arts-based activities through descriptions of other narratives of the participants “buried beneath the surface”, where both social and artistic aims were achieved. read on →

Author Richard Ings

Published

Artform Dance

Organisation Thames Valley Partnership

Continuing Positive Change in Prison and Community

An analysis of the long-term and wider impact of the Good Vibrations Project. This report, commissioned from Birmingham City University’s Centre for Applied Criminology, looked at the impact of taking part in Good Vibrations on participants 12-18 months on, assessing the long-term institutional impact of participating and measuring whether any ... read on →

Authors David Wilson, Laura Caulfield, Dean Wilkinson (Birmingham City University)

Published

Artform Music

Organisation Good Vibrations   Project venues Eastwood Park, Grendon

Participant type Male and Female Adult Offenders

Sample size: 25

Developments in the HM Prison Service and Safe Ground Family Man programme, and the Safe Ground Network during 2007-8: An independent review

The purpose of this evaulation was to examine the developments Safe Ground had made to one of its prison interventions, Family Man, and to the Safe Ground network during the period 2007-08 following recommendations made in previous reviews. It utilised semi structured qualitative face to face interviews, telephone interviews and questionnaires ... read on →

Authors Gwyneth Boswell, Fiona Poland

Published October 2008

Artform Drama

Organisation Safe Ground   Project venues Belmarsh, Wandsworth

Participant type Male and Female Adult Families of offenders, Male Adult Offenders, Male and Female Adult Staff

Sample size: 258

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Arts Alliance Evidence Library

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