Evaluations

Research report: HMP/YOI Winchester Applied Theatre pilot 2018

This report was produced by researchers at University of Winchester (Applied Criminology). It details the findings of an evaluation of a pilot project which was designed and delivered by BearFace Theatre CIC and funded by Hampshire Cultural Trust which was aimed at using a new Applied Theatre intervention to impact ... read on →

Authors Adrian Barton, Alexandra Russell (University of Winchester)

Published September 2018

Artform Theatre

Organisations BearFace Theatre CIC, Hampshire Cultural Trust, HMP/YPI Winchester, University of Winchester   Project venue HMP/YPI Winchester

Participant type Male 21-24 Offenders

Sample size: 10

Write to be Heard: Supporting Offender Learning through Creative Writing

The report explores the impact of a creative writing programme developed to engage ‘hard to reach’ learners in prison.   The mechanism was a creative writing competition, incorporating a schedule of workshops in 28 prisons, encouraging entrants to write pieces for broadcast on National Prison Radio (NPR).  Using qualitative and quantitative ... read on →

Authors Jane Hurry, Patrice Lawrence, Jessica Plant, Anita Wilson (Arts Alliance)

Published March 2014

Artform Creative Writing

Organisation Arts Alliance   Project venue Prisons around the UK

Participant type Male and Female Adult Offenders

“The Good Days are Amazing”  An Evaluation of the Writers in Prison Network 

This qualitative evaluation by Sheffield Hallam University was designed to:

  • map the activities of the Writers in Prison Network (WIPN)
  • identify the barriers and facilitators to effective delivery of the programme
  • identify effective practice
  • assess the impact of the programme on prisoners, writers and prison staff
  • assess the effectiveness of ... read on →

    Authors Katherine Albertson, Caroline O'Keefe (Hallam Centre for Community Justice, Sheffield Hallam University)

    Published October 2012

    Artforms Creative Writing, Multi-Arts

    Organisation Writers in Prison Network

  • Musical Learning and Desistance from Crime: The case of a 'Good Vibrations' Javanese Gamelan project with young offenders

    This paper discusses new empirical evidence for a positive relationship between musical learning and desistance from crime. On investigating the learning processes occurring within a Javanese gamelan project in a Young Offenders Institution, parallels between musical learning processes and the development of certain attributes linked to desistance from crime emerged.  ... read on →

    Author Jennie Henley (Institute of Education, University of London, University of London)

    Published February 2012

    Artform Music

    Organisation Good Vibrations

    Participant type Male Young Offenders

    Inspiring Change: Final Project Report of the Evaluation Team

    An evaluation of a series of arts-based interventions across the Scottish criminal justice system, focusing on the impact of engagement in these programmes on offenders’ attitudes and behaviours as well as their ability to learn.The findings concentrate on examining the quality of the arts experience, the people and processes involved, ... read on →

    Authors KIrstin Anderson, Sarah Colvin, Fergus McNeill, Mike Nellis, Katie Overy, Richard Sparks (Scottish Centre for Crime & Justice Research, University of Glasgow, University of Glasgow)

    Published February 2011

    Artforms Creative Writing, Drama, Music, Visual Arts

    Organisation Motherwell College   Project venues Barlinnie, Greenock, Open Estate, Polmont, Shotts

    Participant type Male Adult Offenders, Male Young Offenders, Female Adult Offenders

    Sample size: 219

    Arts Mentoring for Released Prisoners: An Evaluation Project - interim report

    An interim report on the evaluation of the Koestler Trust's mentoring scheme. The evaluation concerns both the implementation and effectiveness of the mentoring scheme, and employs both qualitative and quantitative methods, including direct observation of mentoring sessions and hour-long, face-to-face interviews with both mentors and mentees. The implementation part of ... read on →

    Author Leonidas Cheliotis (Centre for Criminal Justice, Queen Mary Colege, University of London, Queen Mary College, University of London)

    Published November 2010

    Artform Visual Arts

    Organisation Koestler Trust

    Developments in the HM Prison Service and Safe Ground Family Man programme, and the Safe Ground Network during 2007-8: An independent review

    The purpose of this evaulation was to examine the developments Safe Ground had made to one of its prison interventions, Family Man, and to the Safe Ground network during the period 2007-08 following recommendations made in previous reviews. It utilised semi structured qualitative face to face interviews, telephone interviews and questionnaires ... read on →

    Authors Gwyneth Boswell, Fiona Poland

    Published October 2008

    Artform Drama

    Organisation Safe Ground   Project venues Belmarsh, Wandsworth

    Participant type Male and Female Adult Families of offenders, Male Adult Offenders, Male and Female Adult Staff

    Sample size: 258

    Beats & Bars - Music in Prisons: An Evaluation

    The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of ... read on →

    Authors Alexandra Cox, Loraine Gelsthorpe (Institute of Criminology, University of Cambridge , University of Cambridge)

    Published

    Artform Music

    Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Brixton , Edmunds Hill, Littlehey, Manchester, Wandsworth, Wayland, Whatton

    Participant type Male Adult Offenders

    Sample size: 69

    Made for prisoners by prisoners

    This evaluation by the National Foundation for Educational Research (NFER) of Safe Ground's 'Parents for the 21st Century' initiative, is divided into two distinct phases.  The first focuses on the process of development, whereby inmates played a major role in the production of the course materials - the aim of ... read on →

    Authors Mary Ashworth, John Harland, Karen Hasley (National Foundation for Educational Research)

    Published September 2002

    Artform Drama

    Organisation Safe Ground

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