Evaluations

The Lullaby Project: areas of change and mechanisms of impact

Creative projects and their potential towards positive psychosocial change have been consistently evidenced, particularly with vulnerable groups. The Lullaby Project (developed by Carnegie Hall’s Weill Music Institute in New York) has now been implemented in UK through two pilot experiences where the Irene Taylor Trust (who led the initiative), brought ... read on →

Author Sara Ascenso

Published November 2017

Artform Music

Organisations Royal Philharmonic Orchestra, The Irene Taylor Trust   Project venues HMP Wandsworth, Praxis Community Projects

Participant type Female Adult Migrants, Adult Musicians, Male Adult Offenders

Sample size: 21

Write to be Heard: Supporting Offender Learning through Creative Writing

The report explores the impact of a creative writing programme developed to engage ‘hard to reach’ learners in prison.   The mechanism was a creative writing competition, incorporating a schedule of workshops in 28 prisons, encouraging entrants to write pieces for broadcast on National Prison Radio (NPR).  Using qualitative and quantitative ... read on →

Authors Jane Hurry, Patrice Lawrence, Jessica Plant, Anita Wilson (Arts Alliance)

Published March 2014

Artform Creative Writing

Organisation Arts Alliance   Project venue Prisons around the UK

Participant type Male and Female Adult Offenders

The experience of ‘Journey Woman’ from the perspective of the participants

Using theoretical frameworks such as CBT, role theory, social learning theory and narrative therapy, Forensic Psychologist Rebecca Day explores women offenders’ experience of  Geese Theatre Company’s one week project ‘Journey Woman’, which was delivered four times at HMP Foston during 2007/08.  read on →

Author Rebecca Day (Geese Theatre)

Published January 2013

Artform Drama

Organisation Foston   Project venue Foston

Participant type Female Adult Offenders

Sample size: 34

“The Good Days are Amazing”  An Evaluation of the Writers in Prison Network 

This qualitative evaluation by Sheffield Hallam University was designed to:

  • map the activities of the Writers in Prison Network (WIPN)
  • identify the barriers and facilitators to effective delivery of the programme
  • identify effective practice
  • assess the impact of the programme on prisoners, writers and prison staff
  • assess the effectiveness of ... read on →

    Authors Katherine Albertson, Caroline O'Keefe (Hallam Centre for Community Justice, Sheffield Hallam University)

    Published October 2012

    Artforms Creative Writing, Multi-Arts

    Organisation Writers in Prison Network

  • Good Vibrations: Music and social education for young offenders

    This evaluation looked at the project from the point of view of music education, identifying individual and social factors generated through musical development that also are attributed to desistence from crime. These were divided into two categories:- Individual Agency:Personal Identity Diversity Motivation Hope Self-determination Personal strengths  Social Interactions: Professional relationships ... read on →

    Author Jennie Henley (Institute of Education, University of London, University of London)

    Published August 2012

    Artform Music

    Organisation Good Vibrations   Project venue Swinfen Hall

    Participant type Male Young Offenders

    Sample size: 19

    An evaluation of the Artist in Residence at HMP Grendon

    Through observation and interviews with inmates and staff,this report documents the process of developing an artistic residency in a Therapeutic Community prison and provides an evaluation of the impact on those taking part. Based on observations across four prison wings and interviews with sixteen inmates, this report is able to conclude that ... read on →

    Author Laura Caulfield (Birmingham City University)

    Published October 2011

    Artform Visual Arts

    Project venue Grendon

    Participant type Male Adult Offenders

    Sample size: 16

    Inspiring Change: Final Project Report of the Evaluation Team

    An evaluation of a series of arts-based interventions across the Scottish criminal justice system, focusing on the impact of engagement in these programmes on offenders’ attitudes and behaviours as well as their ability to learn.The findings concentrate on examining the quality of the arts experience, the people and processes involved, ... read on →

    Authors KIrstin Anderson, Sarah Colvin, Fergus McNeill, Mike Nellis, Katie Overy, Richard Sparks (Scottish Centre for Crime & Justice Research, University of Glasgow, University of Glasgow)

    Published February 2011

    Artforms Creative Writing, Drama, Music, Visual Arts

    Organisation Motherwell College   Project venues Barlinnie, Greenock, Open Estate, Polmont, Shotts

    Participant type Male Adult Offenders, Male Young Offenders, Female Adult Offenders

    Sample size: 219

    Developments in the HM Prison Service and Safe Ground Family Man programme, and the Safe Ground Network during 2007-8: An independent review

    The purpose of this evaulation was to examine the developments Safe Ground had made to one of its prison interventions, Family Man, and to the Safe Ground network during the period 2007-08 following recommendations made in previous reviews. It utilised semi structured qualitative face to face interviews, telephone interviews and questionnaires ... read on →

    Authors Gwyneth Boswell, Fiona Poland

    Published October 2008

    Artform Drama

    Organisation Safe Ground   Project venues Belmarsh, Wandsworth

    Participant type Male and Female Adult Families of offenders, Male Adult Offenders, Male and Female Adult Staff

    Sample size: 258

    Beats & Bars - Music in Prisons: An Evaluation

    The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of ... read on →

    Authors Alexandra Cox, Loraine Gelsthorpe (Institute of Criminology, University of Cambridge , University of Cambridge)

    Published

    Artform Music

    Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Brixton , Edmunds Hill, Littlehey, Manchester, Wandsworth, Wayland, Whatton

    Participant type Male Adult Offenders

    Sample size: 69

    Fair!: An evaluation of a Music in Prisons and National Youth Theatre collaboration at HMPYOI Bullwood Hall

    Fair is an evaluation of a collaborative project between Music in Prisons and the National Youth Theatre. The project involved the creation of an original piece of music theatre devised and performed by 19 women. This report summarises the immediate effects of the project and the results of evaluation and ... read on →

    Author Georgie Goddard

    Published

    Artform Music

    Organisation The Irene Taylor Trust (Music in Prisons)   Project venue Bullwood Hall

    Time Well Spent

    Time Well Spent shares some of the key lessons learned from Music in Prisons’ programmes of music projects over six years, focusing on the stages of project delivery and the impact on participants, staff and musicians.It follows the journey of all projects from the excitement of the initial idea or ... read on →

    Author Angus McLewin (Angus McLewin Associates)

    Published 2005

    Artform Music

    Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Askham Grange, Bullingdon, Bullwood Hall, Frankland, Holloway

    Evaluation of Dancing Inside: a creative workshop by Motionhouse Dance Theatre_yr 2 programme

    This present study examines year two of the Dancing Inside project:Motionhouse Dance Theatre workshops conducted with prisoners in HMP Dovegate’s Therapeutic Community.  Its aim was to provide evidence for the short term impacts of participating in the workshops and also to examine the longer term gains made by dance participants. ... read on →

    Author Jennifer Brown (Forensic and Clinical Psychology Research Group, University of Surrey, University of Surrey)

    Published November 2004

    Artform Dance

    Organisation Motionhouse Dance   Project venue Dovegate

    Participant type Adult Offenders

    Sample size: 13

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