Evaluations

Re-imagining futures: Exploring arts interventions and the process of desistance

Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →

Authors Charlotte Bilby, Laura Caulfield, Louise Ridley

Published November 2013

Artforms Craft, Creative Writing, Music, Visual Arts

Organisation Arts Alliance

Participant type Male and Female Adult Offenders

Sample size: 30

Good Vibrations: Music and social education for young offenders

This evaluation looked at the project from the point of view of music education, identifying individual and social factors generated through musical development that also are attributed to desistence from crime. These were divided into two categories:- Individual Agency:Personal Identity Diversity Motivation Hope Self-determination Personal strengths  Social Interactions: Professional relationships ... read on →

Author Jennie Henley (Institute of Education, University of London, University of London)

Published August 2012

Artform Music

Organisation Good Vibrations   Project venue Swinfen Hall

Participant type Male Young Offenders

Sample size: 19

An evaluation of Clean Break's Back on Track

This report aims to evaluate the impact of Clean Break's Back on Track programme's objectives to engage with female offenders at the point of arrest, in order to assess their underlying issues and, on the basis of this mandatory conditional assessment, to offer referrals for appropriate support within Clean Break ... read on →

Published January 2012

Artform Multi-Arts

Organisation Clean Break

Participant type Female Adult Offenders

Inspiring Change: Final Project Report of the Evaluation Team

An evaluation of a series of arts-based interventions across the Scottish criminal justice system, focusing on the impact of engagement in these programmes on offenders’ attitudes and behaviours as well as their ability to learn.The findings concentrate on examining the quality of the arts experience, the people and processes involved, ... read on →

Authors KIrstin Anderson, Sarah Colvin, Fergus McNeill, Mike Nellis, Katie Overy, Richard Sparks (Scottish Centre for Crime & Justice Research, University of Glasgow, University of Glasgow)

Published February 2011

Artforms Creative Writing, Drama, Music, Visual Arts

Organisation Motherwell College   Project venues Barlinnie, Greenock, Open Estate, Polmont, Shotts

Participant type Male Adult Offenders, Male Young Offenders, Female Adult Offenders

Sample size: 219

Developments in the HM Prison Service and Safe Ground Family Man programme, and the Safe Ground Network during 2007-8: An independent review

The purpose of this evaulation was to examine the developments Safe Ground had made to one of its prison interventions, Family Man, and to the Safe Ground network during the period 2007-08 following recommendations made in previous reviews. It utilised semi structured qualitative face to face interviews, telephone interviews and questionnaires ... read on →

Authors Gwyneth Boswell, Fiona Poland

Published October 2008

Artform Drama

Organisation Safe Ground   Project venues Belmarsh, Wandsworth

Participant type Male and Female Adult Families of offenders, Male Adult Offenders, Male and Female Adult Staff

Sample size: 258

Beats & Bars - Music in Prisons: An Evaluation

The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of ... read on →

Authors Alexandra Cox, Loraine Gelsthorpe (Institute of Criminology, University of Cambridge , University of Cambridge)

Published

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Brixton , Edmunds Hill, Littlehey, Manchester, Wandsworth, Wayland, Whatton

Participant type Male Adult Offenders

Sample size: 69

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