Evaluation Title
Beats & Bars - Music in Prisons: An Evaluation
Type of evaluation
Data type Qualitative and Quantitative
Evaluation Focus Behaviour change, Confidence, Impact of programme, Participation, Self-Esteem, Well Being
Project outputs Arts-based workshops, Performances
Methodologies Adjudication reports, Case Studies, Data analysis, Focus Groups, Interviews, Observation, Participant observation, Pre and post programme measures, Questionnaires
Research limitations Control Groups
Summary of evaluation
The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of the project on their engagement with the Learning and Skills department, as well as their behaviour and general well-being in prison.
This evaluation is based on empirical observation and analysis ofdocumentary data, interviews, focus groups, and survey questionnaires. It is the result of a sustained, in-depth evaluation of the process and outcomes of the music project by researchers from the University of Cambridge’s Institute of Criminology.
Project description
The music projects were held in the following prisons (categories accurate at time of evaluation, 2008):
HMP Wayland (Short and mid term sentences) October 2007
HMP Edmunds Hill (Short, mid and long term sentences) October 2007
HMP Wandsworth (Remand, short term and life sentences) November 2007
HMP Brixton (Remand, short, mid and long term sentences) December 2007
HMP Whatton (Vulnerable prisoners) January 2008
HMP Manchester (Mid and long term sentences) January 2008
HMP Littlehey (Vulnerable prisoners) April 2008
HMP Edmunds Hill (Short, mid and long term sentences) June 2008
Key Quote
Finally, it is clear that the Music in Prisons project contributes to the Prison Service’s aim to provide ‘safe, secure and decent regimes’.
Key findings included a reduction in adjudications both during and after the project, an increase in confidence to participate in other educational programmes as well as confirmation that Music in Prisons projects can play a role in fulfilling the NOMS ‘Seven Pathways to Reducing Reoffending’.
Total sample size
69- Male Adult Offenders
Available for Download
Links
Info
Artform
MusicOrganisation
The Irene Taylor Trust (Music in Prisons)CJS Context
PrisonProject venues
Brixton
Edmunds Hill
Littlehey
Manchester
Wandsworth
Wayland
Whatton
Region
Evaluating organisation
Institute of Criminology, University of Cambridge
University of Cambridge
Authors
Alexandra Cox
Loraine Gelsthorpe
Conducted: –
Published:
Type: Academic Institution report