Evaluations

BROAD: (Building Resilience and Overcoming Adversity through Dance & Drama) Research and Evaluation Report

Building Resilience and Overcoming Adversity through Dance & Drama (BROAD) is an innovative dance theatre pilot programme designed for vulnerable groups in prisons, secure children's centres and secure hospitals, co-created by Odd Arts company and Company Chameleon. Its innovation derives from the combination of theatre and dance, underpinned by training ... read on →

Authors Lynn Froggett, Hugh Ortega Breton (University of Central Lancashire)

Published July 2020

Artforms Dance, Drama

Organisations Company Chameleon, Odd Arts

Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley

Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →

Author Jo Cursley (University of Exeter)

Published 2012

Artforms Dance, Drama, Music, Visual Arts

Participant type Male and Female Adult Offenders

Challenging Offending Behaviour with a Creative Twist

A review of arts-based practice within Leicester City Youth Offending Service (YOS) engaging young people at risk of offending - including YP on RAP and ISSP programmes. Descriptions of visual, drama, media and music interventiions including case study projects from organisations such as Soft Touch as well as the national ... read on →

Published 2010

Artforms Drama, Media, Multi-Arts, Music, Needlework, Radio, Visual Arts

Organisation Soft Touch Arts   Project venue Leicester

Miss Spent in Custody

An independent evaluation of a pilot for a new skills development course for young women in custody delivered by Clean Break in April 2010. The evaluation report identified that the project convincingly demonstrated the value of drama exercises, creative education and the use of role play in teaching personal skills, ... read on →

Author Karin van Maanen

Published 2010

Artform Drama

Organisation Clean Break   Project venue Downview

Participant type Female Young Offenders

Sample size: 9

Tagged to a number

An evlauation of the impact of involvement of young offenders and ex-offenders in the production and performance of an issue-based play and the impact on the audiences. The project reached its target of reaching audiences of at least 1,000 young people and the production had a clear impact on young ... read on →

Author Karin van Maanen (Anne Peaker Centre)

Published

Artform Drama

Organisation Synergy Theatre   Project venues Latchmere House, Richmond Police

Participant type Male Adult Offenders, Male and Female Child School pupils

Sample size: 885

Elmina's Kitchen

An evaluation of the impact of the performance of play in HMP Brixton on the Synergy Theatre participants invloved and the audiences. read on →

Author Karin van Maanen (Anne Peaker Centre)

Published 2007

Artform Drama

Organisation Synergy Theatre   Project venue Brixton

Participant type Male Adult Offenders, Male and Female Adult Prison Staff, Male and Female Adult Public Audience

Sample size: 417

Child's Play: Evaluation Report

An evaluation of the impact of a NYT drama project on the paretning skills and rehabilitation of young offenders. The experiential nature of this course enabled participants to explore and experience the issues they are likely to face as young fathers in prison, whilst incarcerated, and on release. The experiential ... read on →

Author Karin van Maanen (Anne Peaker Centre)

Published

Artform Drama

Organisation National Youth Theatre   Project venue Rochester

Participant type Male Young Offenders

Sample size: 13

The Arts in Criminal Justice: a Study of Research Feasibility

A feasibility study examining the practical, logistical and methodological issues involved in carrying out effective research on the impact of arts interventions in criminal justice settings. Rather than producing evidence of project outcomes, this study addresses the issue of what constitutes good quality research and evidence in this context and, ... read on →

Authors Rebecca Clarke, Andrew Miles (Centre for Research on Socio-cultural Change, University of Manchester)

Published 2006

Artforms Creative Writing, Dance, Drama

Project venues Bullwood Hall, Dovegate, Styal

What's the Point: using drama to engage young people at risk

This report summarises the findings of case study research into a drama based Positive Activities for Young People (PAYP) project. The findings of this case study research suggest the following factors need to be considered and implemented for the effective use of arts projects within key programmes targeting young people ... read on →

Author Angus McLewin (Arts Council England)

Published August 2006

Artform Drama

Organisation Tipp

Participant type Male and Female Juvenile Young People at risk

Sample size: 9

Impact of Fathers Inside – an OLSU and Safe Ground Parenting Course for male prisoners at HMP Ashwell

A nine month evaluation of Fathers Inside at HMP Ashwell that includes a range of data from programme documents, comparative literature and research, direct observation of the programme, and from semi-structured interviews with participant prisoners, their partners, child-carers and children. It concludes that Fathers Inside brings about changes in parenting ... read on →

Authors Gwyneth Boswell, Avril Price, Peter Wedge (Community & Criminal Justice Research Unit, De Montfort University, De Montfort University Leicester)

Published June 2004

Artform Drama

Organisation Safe Ground   Project venue Ashwell

Participant type Male Adult Offenders

Sample size: 26

Made for prisoners by prisoners

This evaluation by the National Foundation for Educational Research (NFER) of Safe Ground's 'Parents for the 21st Century' initiative, is divided into two distinct phases.  The first focuses on the process of development, whereby inmates played a major role in the production of the course materials - the aim of ... read on →

Authors Mary Ashworth, John Harland, Karen Hasley (National Foundation for Educational Research)

Published September 2002

Artform Drama

Organisation Safe Ground

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