Evaluations

Prison Arts Resource Project

The Prison Arts Resource Project (PARP) is an annotated bibliography of evidence-based studies evaluating the impact of arts programs in U.S. correctional settings. Each of the 48 entries includes information about the arts program as well as the study research goals, methods and a summary of findings. Adult offender and juvenile offender programs are ... read on →

Authors Amanda Gardner, Lori L. Hager, Grady Hillman (Southwestern Correctional Arts Network; University of Oregon)

Published June 2014

Artforms Craft, Creative Writing, Dance, Drama, Media, Mixed Media, Multi-Arts, Music, Needlework, Radio, Visual Arts

Participant type Male and Female Adult Offenders

Re-imagining futures: Exploring arts interventions and the process of desistance

Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →

Authors Charlotte Bilby, Laura Caulfield, Louise Ridley

Published November 2013

Artforms Craft, Creative Writing, Music, Visual Arts

Organisation Arts Alliance

Participant type Male and Female Adult Offenders

Sample size: 30

Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley

Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →

Author Jo Cursley (University of Exeter)

Published 2012

Artforms Dance, Drama, Music, Visual Arts

Participant type Male and Female Adult Offenders

Continuing Positive Change in Prison and Community

An analysis of the long-term and wider impact of the Good Vibrations Project. This report, commissioned from Birmingham City University’s Centre for Applied Criminology, looked at the impact of taking part in Good Vibrations on participants 12-18 months on, assessing the long-term institutional impact of participating and measuring whether any ... read on →

Authors David Wilson, Laura Caulfield, Dean Wilkinson (Birmingham City University)

Published

Artform Music

Organisation Good Vibrations   Project venues Eastwood Park, Grendon

Participant type Male and Female Adult Offenders

Sample size: 25

The Great Escape: exploring the rehabilitative dynamics involved in 'Changing Tunes'

The goal of this report is to develop a 'logic model' that can account for how Changing Tunes (CT) works as a rehabilitative strategy, outlining both the dynamic processes involved and their immediate/short-term and medium/longer-term impacts on the lives of participants. This analysis identified seven, key elements of the CT ... read on →

Author Shadd Maruna (Institute of Criminology and Criminal Justice, Queen's University Belfast, Queen's University Belfast)

Published 2010

Artform Music

Organisation Changing Tunes   Project venues Bristol, Bronzefield, Eastwood Park, Erlestoke, Exeter, Gloucester, Guys Marsh, Kingston, Leyhill, Parkhurst, Shepton Mallet, Winchester

Participant type Male and Female Adult Offenders

Sample size: 87

Breaking Down Walls - The Good Vibrations Project in Prison

This study looked at the educational benefits of taking part in Good Vibrations, setting its work in the context of prison education in the UK. It also assessed the value-for-money of Good Vibrations courses.The evaluation was specifically commissioned to build upon two earlier evaluations undertaken by Good Vibrations themselves (see ... read on →

Authors David Wilson, Matt Logan (Birmingham City University)

Published 2006

Artform Music

Organisation Good Vibrations   Project venues Brixton , Peterborough

Participant type Male and Female Adult Offenders

Sample size: 42

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