Evaluations

Write to be Heard: Supporting Offender Learning through Creative Writing

The report explores the impact of a creative writing programme developed to engage ‘hard to reach’ learners in prison.   The mechanism was a creative writing competition, incorporating a schedule of workshops in 28 prisons, encouraging entrants to write pieces for broadcast on National Prison Radio (NPR).  Using qualitative and quantitative ... read on →

Authors Jane Hurry, Patrice Lawrence, Jessica Plant, Anita Wilson (Arts Alliance)

Published March 2014

Artform Creative Writing

Organisation Arts Alliance   Project venue Prisons around the UK

Participant type Male and Female Adult Offenders

Evaluation of Geese Theatre's Reconnect Programme 2008

This study examines the impact of Geese Theatre’s Reconnect programme on the men who attended it. Evaluation objectives: 1. to determine whether improvements would be observed on psychometric tests measuring self-efficacy, motivation to change, and confidence in a range of skills. 2. to determine whether behaviour and engagement within the ... read on →

Authors Anthony Beech, Leigh Harkins, Donna Haskayne, Cecilia Pritchard, Andy Watson (Centre for Forensic and Criminal Psychology, University of Birmingham, Unversity of Brimingham)

Published 2008

Artform Drama

Organisation Geese Theatre

Participant type Male Adult Offenders, Female Adult Offenders

Sample size: 113

Developments in the HM Prison Service and Safe Ground Family Man programme, and the Safe Ground Network during 2007-8: An independent review

The purpose of this evaulation was to examine the developments Safe Ground had made to one of its prison interventions, Family Man, and to the Safe Ground network during the period 2007-08 following recommendations made in previous reviews. It utilised semi structured qualitative face to face interviews, telephone interviews and questionnaires ... read on →

Authors Gwyneth Boswell, Fiona Poland

Published October 2008

Artform Drama

Organisation Safe Ground   Project venues Belmarsh, Wandsworth

Participant type Male and Female Adult Families of offenders, Male Adult Offenders, Male and Female Adult Staff

Sample size: 258

Breaking Down Walls - The Good Vibrations Project in Prison

This study looked at the educational benefits of taking part in Good Vibrations, setting its work in the context of prison education in the UK. It also assessed the value-for-money of Good Vibrations courses.The evaluation was specifically commissioned to build upon two earlier evaluations undertaken by Good Vibrations themselves (see ... read on →

Authors David Wilson, Matt Logan (Birmingham City University)

Published 2006

Artform Music

Organisation Good Vibrations   Project venues Brixton , Peterborough

Participant type Male and Female Adult Offenders

Sample size: 42

Fair!: An evaluation of a Music in Prisons and National Youth Theatre collaboration at HMPYOI Bullwood Hall

Fair is an evaluation of a collaborative project between Music in Prisons and the National Youth Theatre. The project involved the creation of an original piece of music theatre devised and performed by 19 women. This report summarises the immediate effects of the project and the results of evaluation and ... read on →

Author Georgie Goddard

Published

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venue Bullwood Hall

Time Well Spent

Time Well Spent shares some of the key lessons learned from Music in Prisons’ programmes of music projects over six years, focusing on the stages of project delivery and the impact on participants, staff and musicians.It follows the journey of all projects from the excitement of the initial idea or ... read on →

Author Angus McLewin (Angus McLewin Associates)

Published 2005

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Askham Grange, Bullingdon, Bullwood Hall, Frankland, Holloway

FM and FI and Skills for Life

This evaluation commissioned by the OLSU, examined how far the 'Family Man' and 'Fathers Inside' programmes contributed towards the ‘Skills for Life Strategy’. It found that both programmes support the strategy by focusing on speaking, listening and responding skills and includes details of the percentages of FM & FI course ... read on →

Author Sue Oakley (Offenders Learning and Support Unit, Department for Education and Skills)

Published April 2005

Artforms Drama, Multi-Arts

Organisation Safe Ground

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