Evaluations

Art on the Inside: How Do Prison Art Teachers Maintain Their Professional Practice as Artist?

This evaluation asks the question: how do prison art teachers actively seek out opportunity for development and advancement in their specialist field? It empowers the voice of eight prison art teachers as artists working within a broad context of custodial settings including young offender’s institutes, adult male prisons and a ... read on →

Author Sophie Nickeas

Published August 2016

Artform Visual Arts

Organisation University of West London   Project venues HMP Highdown, HMP Lewes, HMP/YOI Bronzefield, HMYOI Cookham Wood, HMYOI Wetherby

Participant type Male and Female Adult Art teachers working in prisons/YOIs

Sample size: 8

Prison Arts Resource Project

The Prison Arts Resource Project (PARP) is an annotated bibliography of evidence-based studies evaluating the impact of arts programs in U.S. correctional settings. Each of the 48 entries includes information about the arts program as well as the study research goals, methods and a summary of findings. Adult offender and juvenile offender programs are ... read on →

Authors Amanda Gardner, Lori L. Hager, Grady Hillman (Southwestern Correctional Arts Network; University of Oregon)

Published June 2014

Artforms Craft, Creative Writing, Dance, Drama, Media, Mixed Media, Multi-Arts, Music, Needlework, Radio, Visual Arts

Participant type Male and Female Adult Offenders

Write to be Heard: Supporting Offender Learning through Creative Writing

The report explores the impact of a creative writing programme developed to engage ‘hard to reach’ learners in prison.   The mechanism was a creative writing competition, incorporating a schedule of workshops in 28 prisons, encouraging entrants to write pieces for broadcast on National Prison Radio (NPR).  Using qualitative and quantitative ... read on →

Authors Jane Hurry, Patrice Lawrence, Jessica Plant, Anita Wilson (Arts Alliance)

Published March 2014

Artform Creative Writing

Organisation Arts Alliance   Project venue Prisons around the UK

Participant type Male and Female Adult Offenders

Re-imagining futures: Exploring arts interventions and the process of desistance

Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →

Authors Charlotte Bilby, Laura Caulfield, Louise Ridley

Published November 2013

Artforms Craft, Creative Writing, Music, Visual Arts

Organisation Arts Alliance

Participant type Male and Female Adult Offenders

Sample size: 30

Family Man: 2012-13 Evaluation Scope

The purpose of this evaluation is to demonstrate the long-term impact and cost-effectiveness of Family Man to policy makers, funders, prisons and practitioners; and to complement Gwyneth Boswell’s qualitative study of the revised Family Man and other previous evaluations. read on →

Published 2013

Artform Drama

Organisation Safe Ground   Project venues Belmarsh, Birmingham, Bristol, Dovegate, Highpoint, Leeds, Parc, Wandsworth

Participant type Male and Female Adult Families of offenders, Male and Female Juvenile Families of offenders, Male Adult Offenders, Male and Female Adult Prison Staff

Sample size: 500

Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley

Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →

Author Jo Cursley (University of Exeter)

Published 2012

Artforms Dance, Drama, Music, Visual Arts

Participant type Male and Female Adult Offenders

Talent 4....

Evaluation of an arts-based workshop programme aiming to increase participants awareness of their own innate talents and skills, this research project sought to measure the effects of participating in a Talent 4... project on offenders' self -belief in their capacity to gain employment, strengths and weaknesses, ability to work with ... read on →

Author Laura Caulfield (Birmingham City University)

Published 2012

Artform Multi-Arts

Organisation Rideout   Project venues Brinsford, Drake Hall, Sudbury

Participant type Male and Female Adult Offenders

Sample size: 18

Stitching a Future - an Evaluation of Fine Cell Work

An independent qualitative evaluation into the work of Fine Cell Work (FCW) in five prisons across England and Scotland, to identify the key benefits of being involved with FCW, establish why offenders participate and continue their involvement and investigate changes in soft outcomes such as behaviour, feelings about prison and ... read on →

Published July 2011

Artform Needlework

Organisation Fine Cell Work

Participant type Male and Female Adult Offenders

Sample size: 22

Continuing Positive Change in Prison and Community

An analysis of the long-term and wider impact of the Good Vibrations Project. This report, commissioned from Birmingham City University’s Centre for Applied Criminology, looked at the impact of taking part in Good Vibrations on participants 12-18 months on, assessing the long-term institutional impact of participating and measuring whether any ... read on →

Authors David Wilson, Laura Caulfield, Dean Wilkinson (Birmingham City University)

Published

Artform Music

Organisation Good Vibrations   Project venues Eastwood Park, Grendon

Participant type Male and Female Adult Offenders

Sample size: 25

The Great Escape: exploring the rehabilitative dynamics involved in 'Changing Tunes'

The goal of this report is to develop a 'logic model' that can account for how Changing Tunes (CT) works as a rehabilitative strategy, outlining both the dynamic processes involved and their immediate/short-term and medium/longer-term impacts on the lives of participants. This analysis identified seven, key elements of the CT ... read on →

Author Shadd Maruna (Institute of Criminology and Criminal Justice, Queen's University Belfast, Queen's University Belfast)

Published 2010

Artform Music

Organisation Changing Tunes   Project venues Bristol, Bronzefield, Eastwood Park, Erlestoke, Exeter, Gloucester, Guys Marsh, Kingston, Leyhill, Parkhurst, Shepton Mallet, Winchester

Participant type Male and Female Adult Offenders

Sample size: 87

Developments in the HM Prison Service and Safe Ground Family Man programme, and the Safe Ground Network during 2007-8: An independent review

The purpose of this evaulation was to examine the developments Safe Ground had made to one of its prison interventions, Family Man, and to the Safe Ground network during the period 2007-08 following recommendations made in previous reviews. It utilised semi structured qualitative face to face interviews, telephone interviews and questionnaires ... read on →

Authors Gwyneth Boswell, Fiona Poland

Published October 2008

Artform Drama

Organisation Safe Ground   Project venues Belmarsh, Wandsworth

Participant type Male and Female Adult Families of offenders, Male Adult Offenders, Male and Female Adult Staff

Sample size: 258

Elmina's Kitchen

An evaluation of the impact of the performance of play in HMP Brixton on the Synergy Theatre participants invloved and the audiences. read on →

Author Karin van Maanen (Anne Peaker Centre)

Published 2007

Artform Drama

Organisation Synergy Theatre   Project venue Brixton

Participant type Male Adult Offenders, Male and Female Adult Prison Staff, Male and Female Adult Public Audience

Sample size: 417

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