Evaluations

An evaluation of The Irene Taylor Trust’s Sounding Out programme 2016-2018

Sounding Out is a music traineeship which provides former prisoners with longer-term opportunities upon their release, to bridge the gap between inside and outside prison. The evaluation takes a qualitative approach to explore the views and experiences of participants, staff and family members to understand if and how Sounding Out ... read on →

Authors Laura Caulfield, Andrew Jolly, Rachel Massie (Institute for Community Research & Development, University of Wolverhampton)

Published March 2019

Artform Music

Organisation The Irene Taylor Trust (Music in Prisons)

Participant type Male Adult Ex offenders

Sample size: 10

Research report: HMP/YOI Winchester Applied Theatre pilot 2018

This report was produced by researchers at University of Winchester (Applied Criminology). It details the findings of an evaluation of a pilot project which was designed and delivered by BearFace Theatre CIC and funded by Hampshire Cultural Trust which was aimed at using a new Applied Theatre intervention to impact ... read on →

Authors Adrian Barton, Alexandra Russell (University of Winchester)

Published September 2018

Artform Theatre

Organisations BearFace Theatre CIC, Hampshire Cultural Trust, HMP/YPI Winchester, University of Winchester   Project venue HMP/YPI Winchester

Participant type Male 21-24 Offenders

Sample size: 10

Applied Performance Arts Interventions within Justice Services: Moving 'Forward' Toward an Integrated Sustainable Evaluative Approach

This report evaluates the impact of a resettlement programme using forum theatre and therapeutic creative delivery in prisons, adult resettlement centres and secure units.  It focuses on the impact good partnership has on effective projects as well as the need for long-term sustained work in prisons to ensure the highest ... read on →

Authors Richard McHugh, Hannah Smithson (Manchester Metropolitan University)

Published January 2018

Artform Theatre

Organisation Odd Arts   Project venues Barton Moss Secure Unit, HMP Manchester, Langley House Trust resettlement centres

Participant type Male Ex offenders

Sample size: 50

Creative Leadership and Forum Theatre: An evaluation report for Odd Arts

The report evaluates one of Odd Art’s creative programme that uses applied and forum theatre to increase leadership and skills. The following key outcomes of the Odd Arts Creative Leadership programme all demonstrate factors related to confidence, self-awareness and self-presentation, and, therefore, skills and capacities required to show creative leadership ... read on →

Authors Lynn Froggett, Laura Kelly, Julian Manley (University of Central Lancashire)

Published January 2018

Artform Theatre

Organisation Odd Arts   Project venues Care 4 Children, HMP Wymott, Langley House Trust

Participant type Male Juvenile Offenders

Sample size: 89

The Lullaby Project: areas of change and mechanisms of impact

Creative projects and their potential towards positive psychosocial change have been consistently evidenced, particularly with vulnerable groups. The Lullaby Project (developed by Carnegie Hall’s Weill Music Institute in New York) has now been implemented in UK through two pilot experiences where the Irene Taylor Trust (who led the initiative), brought ... read on →

Author Sara Ascenso

Published November 2017

Artform Music

Organisations Royal Philharmonic Orchestra, The Irene Taylor Trust   Project venues HMP Wandsworth, Praxis Community Projects

Participant type Female Adult Migrants, Adult Musicians, Male Adult Offenders

Sample size: 21

Evaluation of the use of 'Good Vibrations' percussion courses to improve motivation to change and treatment readiness with convicted sexual offenders embarking on treatment programmes

Previous research has highlighted the benefits of implementing music-centred interventions in correctional settings. The present study used a mixed method approach to explore prisoners’ experiences of a week-long Indonesian percussion music course, introduced in a UK sex offender prison to enhance motivation and readiness for change pre-treatment. Study one examined ... read on →

Authors Nicholas Blagden, Helen Elliott, Jessica Faulkner, Rebecca Lievesley, Verena Sperling, Belinda Winder (Nottingham Trent University)

Published December 2015

Artform Music

Organisation Good Vibrations   Project venue Whatton

Participant type Male Adult Offenders

Evaluation Report: Community Exchange project between detainees at Harmondsworth Immigration Removal Centre and young people at West London YMCA

The report explores the project’s impacts on participants’ wellbeing and resilience, awareness and understanding, and musical skills. Based on observations, questionnaires, interviews and focus groups, it contains a wealth of detail about the creative process and the experience of participants. The report also looks at the project as an example of ... read on →

Author Katie Bruce (National Foundation for Youth Music)

Published July 2015

Artform Music

Organisations Music in Detention, Sound Connections   Project venue Harmondsworth IRC

Participant type Male Adult Detainees, Male and Female Young Young People at risk

Musical Learning and Desistance from Crime: The case of a 'Good Vibrations' Javanese Gamelan project with young offenders

This paper discusses new empirical evidence for a positive relationship between musical learning and desistance from crime. On investigating the learning processes occurring within a Javanese gamelan project in a Young Offenders Institution, parallels between musical learning processes and the development of certain attributes linked to desistance from crime emerged.  ... read on →

Author Jennie Henley (Institute of Education, University of London, University of London)

Published February 2012

Artform Music

Organisation Good Vibrations

Participant type Male Young Offenders

Developments in the HM Prison Service and Safe Ground Family Man programme, and the Safe Ground Network during 2007-8: An independent review

The purpose of this evaulation was to examine the developments Safe Ground had made to one of its prison interventions, Family Man, and to the Safe Ground network during the period 2007-08 following recommendations made in previous reviews. It utilised semi structured qualitative face to face interviews, telephone interviews and questionnaires ... read on →

Authors Gwyneth Boswell, Fiona Poland

Published October 2008

Artform Drama

Organisation Safe Ground   Project venues Belmarsh, Wandsworth

Participant type Male and Female Adult Families of offenders, Male Adult Offenders, Male and Female Adult Staff

Sample size: 258

Engage Cymru 'Summer Arts Colleges Summer 2016'

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Author Angela Rogers (Engage Cymru)

Artform Visual Arts

Organisations Engage Cymru, Unitas   Project venues Bridgend and Hillside Secure Unit, Parc

Participant type Male Juvenile Offenders, Male Juvenile Young People at risk

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