Evaluations
Creative Leadership and Forum Theatre: An evaluation report for Odd Arts
The report evaluates one of Odd Art’s creative programme that uses applied and forum theatre to increase leadership and skills. The following key outcomes of the Odd Arts Creative Leadership programme all demonstrate factors related to confidence, self-awareness and self-presentation, and, therefore, skills and capacities required to show creative leadership ... read on →
Re-imagining futures: Exploring arts interventions and the process of desistance
Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →
The experience of ‘Journey Woman’ from the perspective of the participants
Using theoretical frameworks such as CBT, role theory, social learning theory and narrative therapy, Forensic Psychologist Rebecca Day explores women offenders’ experience of Geese Theatre Company’s one week project ‘Journey Woman’, which was delivered four times at HMP Foston during 2007/08. read on →
Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley
Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →
An Evaluation of a Pilot Study of a Literature-Based Intervention with Women in Prison
This study investigated whether ‘Get Into Reading’, a literature-based intervention, which had been established in other custodial contexts and non-custodial mental health settings in the UK transposed to a female prison; HMP Low Newton, and whether any of the benefits identified in custodial and non-custodial contexts elsewhere were reported by ... read on →
Stitching a Future - an Evaluation of Fine Cell Work
An independent qualitative evaluation into the work of Fine Cell Work (FCW) in five prisons across England and Scotland, to identify the key benefits of being involved with FCW, establish why offenders participate and continue their involvement and investigate changes in soft outcomes such as behaviour, feelings about prison and ... read on →
Continuing Positive Change in Prison and Community
An analysis of the long-term and wider impact of the Good Vibrations Project. This report, commissioned from Birmingham City University’s Centre for Applied Criminology, looked at the impact of taking part in Good Vibrations on participants 12-18 months on, assessing the long-term institutional impact of participating and measuring whether any ... read on →
Miss Spent in Custody
An independent evaluation of a pilot for a new skills development course for young women in custody delivered by Clean Break in April 2010. The evaluation report identified that the project convincingly demonstrated the value of drama exercises, creative education and the use of role play in teaching personal skills, ... read on →
Elmina's Kitchen
An evaluation of the impact of the performance of play in HMP Brixton on the Synergy Theatre participants invloved and the audiences. read on →
Child's Play: Evaluation Report
An evaluation of the impact of a NYT drama project on the paretning skills and rehabilitation of young offenders. The experiential nature of this course enabled participants to explore and experience the issues they are likely to face as young fathers in prison, whilst incarcerated, and on release. The experiential ... read on →
Breaking Down Walls - The Good Vibrations Project in Prison
This study looked at the educational benefits of taking part in Good Vibrations, setting its work in the context of prison education in the UK. It also assessed the value-for-money of Good Vibrations courses.The evaluation was specifically commissioned to build upon two earlier evaluations undertaken by Good Vibrations themselves (see ... read on →
