Evaluations

The Lullaby Project: areas of change and mechanisms of impact

Creative projects and their potential towards positive psychosocial change have been consistently evidenced, particularly with vulnerable groups. The Lullaby Project (developed by Carnegie Hall’s Weill Music Institute in New York) has now been implemented in UK through two pilot experiences where the Irene Taylor Trust (who led the initiative), brought ... read on →

Author Sara Ascenso

Published November 2017

Artform Music

Organisations Royal Philharmonic Orchestra, The Irene Taylor Trust   Project venues HMP Wandsworth, Praxis Community Projects

Participant type Female Adult Migrants, Adult Musicians, Male Adult Offenders

Sample size: 21

Exploring Good Vibrations projects with vulnerable and challenging women in prison

This research involved 26 women who had successfully completed a Good Vibrations project, finding that:

  • for women in prison, taking part in a Good Vibrations project can reduce anger, worry, and levels of unhappiness, and improve social skills
  • reductions in anger, worry, and unhappiness may be sustained in the weeks ... read on →

    Author Laura Caulfield (Bath Spa University)

    Published December 2015

    Artform Music

    Organisation Good Vibrations

    Participant type Female Adult Offenders

  • Evaluation of the use of 'Good Vibrations' percussion courses to improve motivation to change and treatment readiness with convicted sexual offenders embarking on treatment programmes

    Previous research has highlighted the benefits of implementing music-centred interventions in correctional settings. The present study used a mixed method approach to explore prisoners’ experiences of a week-long Indonesian percussion music course, introduced in a UK sex offender prison to enhance motivation and readiness for change pre-treatment. Study one examined ... read on →

    Authors Nicholas Blagden, Helen Elliott, Jessica Faulkner, Rebecca Lievesley, Verena Sperling, Belinda Winder (Nottingham Trent University)

    Published December 2015

    Artform Music

    Organisation Good Vibrations   Project venue Whatton

    Participant type Male Adult Offenders

    Prison Arts Resource Project

    The Prison Arts Resource Project (PARP) is an annotated bibliography of evidence-based studies evaluating the impact of arts programs in U.S. correctional settings. Each of the 48 entries includes information about the arts program as well as the study research goals, methods and a summary of findings. Adult offender and juvenile offender programs are ... read on →

    Authors Amanda Gardner, Lori L. Hager, Grady Hillman (Southwestern Correctional Arts Network; University of Oregon)

    Published June 2014

    Artforms Craft, Creative Writing, Dance, Drama, Media, Mixed Media, Multi-Arts, Music, Needlework, Radio, Visual Arts

    Participant type Male and Female Adult Offenders

    Re-imagining futures: Exploring arts interventions and the process of desistance

    Carried out by Northumbria University and Bath Spa University, this report highlights examples of how the arts can support positive changes linked to personal agency, efficacy and identity, which are linked to the highly individualised journey of desistance from criminal behaviour. Key findings show that participation in arts activities enables ... read on →

    Authors Charlotte Bilby, Laura Caulfield, Louise Ridley

    Published November 2013

    Artforms Craft, Creative Writing, Music, Visual Arts

    Organisation Arts Alliance

    Participant type Male and Female Adult Offenders

    Sample size: 30

    Supporting employability and personal effectiveness through the arts: international evaluation of this European Project by Jo Cursley

    Supporting employability and personal effectiveness (SEPE) is the name of a qualification which was first conceived by the University of Exeter, developed and accredited by Edexcel and piloted through Superact by funding from Leonardo Lifelong Learning Project and the Medicor Foundation in five European countries. The arts were used as ... read on →

    Author Jo Cursley (University of Exeter)

    Published 2012

    Artforms Dance, Drama, Music, Visual Arts

    Participant type Male and Female Adult Offenders

    Inspiring Change: Final Project Report of the Evaluation Team

    An evaluation of a series of arts-based interventions across the Scottish criminal justice system, focusing on the impact of engagement in these programmes on offenders’ attitudes and behaviours as well as their ability to learn.The findings concentrate on examining the quality of the arts experience, the people and processes involved, ... read on →

    Authors KIrstin Anderson, Sarah Colvin, Fergus McNeill, Mike Nellis, Katie Overy, Richard Sparks (Scottish Centre for Crime & Justice Research, University of Glasgow, University of Glasgow)

    Published February 2011

    Artforms Creative Writing, Drama, Music, Visual Arts

    Organisation Motherwell College   Project venues Barlinnie, Greenock, Open Estate, Polmont, Shotts

    Participant type Male Adult Offenders, Male Young Offenders, Female Adult Offenders

    Sample size: 219

    Continuing Positive Change in Prison and Community

    An analysis of the long-term and wider impact of the Good Vibrations Project. This report, commissioned from Birmingham City University’s Centre for Applied Criminology, looked at the impact of taking part in Good Vibrations on participants 12-18 months on, assessing the long-term institutional impact of participating and measuring whether any ... read on →

    Authors David Wilson, Laura Caulfield, Dean Wilkinson (Birmingham City University)

    Published

    Artform Music

    Organisation Good Vibrations   Project venues Eastwood Park, Grendon

    Participant type Male and Female Adult Offenders

    Sample size: 25

    The Great Escape: exploring the rehabilitative dynamics involved in 'Changing Tunes'

    The goal of this report is to develop a 'logic model' that can account for how Changing Tunes (CT) works as a rehabilitative strategy, outlining both the dynamic processes involved and their immediate/short-term and medium/longer-term impacts on the lives of participants. This analysis identified seven, key elements of the CT ... read on →

    Author Shadd Maruna (Institute of Criminology and Criminal Justice, Queen's University Belfast, Queen's University Belfast)

    Published 2010

    Artform Music

    Organisation Changing Tunes   Project venues Bristol, Bronzefield, Eastwood Park, Erlestoke, Exeter, Gloucester, Guys Marsh, Kingston, Leyhill, Parkhurst, Shepton Mallet, Winchester

    Participant type Male and Female Adult Offenders

    Sample size: 87

    Beats & Bars - Music in Prisons: An Evaluation

    The report evaluated a series of five-day music projects which took place in eight men’s prisons across England from October 2007 to July 2008. The evaluation was aimed at understanding the impact of the project on its participants’ engagement with purposeful activities whilst in prison. In particular the impact of ... read on →

    Authors Alexandra Cox, Loraine Gelsthorpe (Institute of Criminology, University of Cambridge , University of Cambridge)

    Published

    Artform Music

    Organisation The Irene Taylor Trust (Music in Prisons)   Project venues Brixton , Edmunds Hill, Littlehey, Manchester, Wandsworth, Wayland, Whatton

    Participant type Male Adult Offenders

    Sample size: 69

    All Together Now

    This study assessed the therapeutic benefits and value of taking part in Good Vibrations muisc projects - the study was written up in the Prison Service Journal in March 2007. read on →

    Author Alison Liebling (Institute of Criminology, University of Cambridge , University of Cambridge)

    Published 2007

    Artform Music

    Organisation Good Vibrations

    Participant type Female Adult Offenders

    Breaking Down Walls - The Good Vibrations Project in Prison

    This study looked at the educational benefits of taking part in Good Vibrations, setting its work in the context of prison education in the UK. It also assessed the value-for-money of Good Vibrations courses.The evaluation was specifically commissioned to build upon two earlier evaluations undertaken by Good Vibrations themselves (see ... read on →

    Authors David Wilson, Matt Logan (Birmingham City University)

    Published 2006

    Artform Music

    Organisation Good Vibrations   Project venues Brixton , Peterborough

    Participant type Male and Female Adult Offenders

    Sample size: 42

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